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Cartographer

from Whimsical by Phobos

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lyrics

I know you are losing time, so am I
If you scavenge you should know that it’s bountiful to follow me
Take it up, is that a blade? Blessing it underneath my shade
Where glances prove me answers, you are my prey
Your neck is stuck, back is cracked
What more do you want – from the winds, to the sands
Take it up, is that what you got?
Picking on what’s left might be just enough
To race the clocks
So follow me
Never say forever, it might just come
Hold on, over encumbered one
Wait for me to paint the seas
Take me, over encumbered one
Wait and see, growing pain and trees
Sings are plenty, suggesting I should just keep on running
Is it cunning, stay behind, one line
Never see what is coming
So you beg of me to pray for the weak
Fallacy in a heresy, such travesty
But don’t test it liar, a never ending fire, I flicker away
Fallacy in a heresy, such malady
But don’t test it, it’s hectic, and it takes me away
Footsteps that I leave, the nourish green with lips that bleed leading you the believe
I need a grip, on a sip filled with poison, it’s a trick that will make me disappear
Do you challenge me? A dying breed in a corner protecting my nobility
Hey enemy, reminisce, you were helping this, with your hit or miss, born in bliss
Overpricing all your sanity
Hold on, over encumbered one
Wait for me to paint the seas
Take me, over encumbered one
Wait and see, growing pain and trees

credits

from Whimsical, track released October 20, 2020
Featuring:
Natalija Novković (Violin)
Anja Petrov (Viola)
Dunja Popović (Double bass)

Mixed and mastered by Miloš Mihajlović - Studio Blaze

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about

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Phobos Belgrade, Serbia

Phobos is a progressive death metal band from Serbia. Heavily contrasted sounds, but not defined but genre standards, they fuse modern metal tendencies with ambient, electronic and ethno aspects. They have participated in many major music festivals, playing and winning local and state band competitions and playing all across Serbia, while publishing a few singles along the way. ... more

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